E1SC01Z S1-14v4 - "MOMMA JO! IT WENT OUT AGAIN"
NOT ANSWEREDWHAT CHANGED SINCE S1-14v3, WHICH YOU ALREADY APPROVED: v3 came back with invented words first ('Mama Jo is lying and Devonhat's right'), then the line at 4.2-6.9 s with 'look' cut off at the end again. All three tries did the same thing: the line always ENDS at the take's last moment and SkyReels fills the time in front of it (the stage direction, a laugh, now gibberish) - buying more seconds only adds filler. Scene 2's one clean dialogue take (Momma's R3) had a voice sample that WAS the line. CHANGED: the voice sample is now Holly's own recording of THIS line from the radio play (play it on this card), the voice text matches the line, and the take is 5 s so there is no room to fill. 175 credits (was 245). Her line and everything else are the v3 you approved. Her recorded line is 307 Hz, the same pitch SkyReels gave her in v2, so the voice was right all along - only the timing failed.
EPISODE 1 SCENE 1 - Holly's line, fourth try. WHY: HER LINE, IN HER OWN VOICE, LIP-SYNCED - this take's sound replaces the line in the mix. OMNI REFERENCE; @Frame = film/skyreels/e1-sc01/refs/S1-14_frame.jpg; @Holly = film/skyreels/e1-sc01/refs/holly_front.png + VOICE film/skyreels/e1-sc01/refs/holly_line_s114.mp3 + angles film/skyreels/e1-sc01/refs/holly_side.png, film/skyreels/e1-sc01/refs/holly_back.png; @Door = film/skyreels/e1-sc01/refs/screen_door_shut.jpg; 5s; 1080p; 175 credits
THE EXACT PROMPT (2003 of 2000 characters), typed into SkyReels as written:
UNDER: character line, HOLLY JO, on camera: "Momma Jo! It went out again - come look!" (53.50-56.44 in the mix). This take's own performance replaces the mix's line. The floorboard_creak at 53.22, the Ring's note, the farm bed and MN01 from 55.8 stay under it from the mix.
THE SCREEN DOOR IS SHUT AND STAYS SHUT for all five seconds: @Holly is INSIDE the house, behind its mesh, the whole time, and the mesh lies over her from head to foot. The door is @Door - hinges on the LEFT, handle on the RIGHT.
THE COMPOSITION IS @Frame AND IT DOES NOT CHANGE: square-on from the porch, the doorway at the centre with its lintel just under the TOP edge, the stone wall from the corner post to the RIGHT edge, the orchard and pale sky beyond the post along the LEFT edge, the porch boards along the BOTTOM edge. Same distance, same brightness at five seconds as at zero. Full-frame 16:9 edge to edge, no black bars, no letterbox.
SHE IS @Holly: her face, hair and clothes are @Holly's, and where @Frame draws them differently, @Holly is right.
SHOT: the call from the doorway - one line, then quiet.
@Holly, bright, <dialogue>Momma Jo! It went out again - come look!</dialogue><voice_ref>Momma Jo! It went out again - come look!</voice_ref>
CAMERA: locked off for all five seconds including the last - no pan, zoom, push or pull back. The doorway frames her, so the frame holds.
TIMING: 0-0.5s: she springs up from the sill to standing behind the mesh. 0.5-3.5s: head turned to FRAME RIGHT, her left hand cupped beside her mouth, @Holly speaks the line once toward the yard. 3.5-5s: her mouth closed and still; her hand comes down; her eyes stay on the yard at frame right.
MOTION LAYERS: her spring up and the turn of her head; the speaking mouth and the cupped hand; her hair; the mesh, the door, the wall and the porch still.
<sfx>a floorboard creaking as she stands, a quiet farm morning, birds far off</sfx> No music, no second voice.
MUST NOT: anyone else in frame; the frame tightening; no text.
My recommendation: APPROVE